See You Again Lyrics Dazed and Confused Lyrics

1967 song by Jake Holmes

"Dazed and Dislocated"
Dazed and Confused by Jake Holmes US promo vinyl.png

1968 promotional unmarried characterization

Song by Jake Holmes
from the anthology "The Above Ground Sound" of Jake Holmes
Released July ten, 1967 (1967-07-x)
Recorded Bound 1967
Genre Folk rock[ane]
Length 3:46
Label Belfry
Songwriter(southward) Jake Holmes
Sound sample
  • file
  • help

"Mazed and Confused" is a vocal written by American vocalist-songwriter Jake Holmes in 1967. Performed in a folk rock-style, he recorded information technology for his debut album "The Above Ground Sound" of Jake Holmes. Although some ended that it was about a bad acid trip, Holmes insists the lyrics refer to the furnishings of a girl's indecision on ending a relationship.

After hearing Holmes perform the vocal in August 1967, English rock group the Yardbirds reworked it with a new arrangement. It soon became a centerpiece of their tours, several recordings of which accept been released, including on Yardbirds '68, produced by guitarist Jimmy Folio.

"Mazed and Confused", with new lyrics and song line, was recorded by Page's new group for their debut album, Led Zeppelin. It became a signature song and concert staple for much of the group's career. Holmes attempted to contact Page in the 1980s regarding the songwriting credit, merely received no response. In 2010, Holmes filed a lawsuit and the thing was settled out of court, with the credit on Led Zeppelin releases existence changed to "Jimmy Page, inspired past Jake Holmes".

Background and composition [edit]

Jake Holmes began his music career in the early 1960s, and recorded and performed with several unlike groups.[ii] He was influenced by psychedelic stone and groups such as the Byrds and the Blues Project, and wrote "Dazed and Dislocated" in a similar fashion with a dejection influence.[3] In spring of 1967, he recorded the song for his debut solo anthology "The Above Basis Sound" of Jake Holmes, equally a trio of acoustic guitar, electric guitar, and bass.[1] On July ten, it was released on the Belfry Records label.[ii]

The organisation is a modular chant in the key of E minor[4] congenital on a descending chromatic bass line alternate between the tertiary (E-M-F#-F-E) and the 7th (East-D-C#-C-B).[5] Holmes' singing has been described as "pained",[1] and the lyrics ("you're out to get me/yous're on the right track") and ("I'm being driveling/I'chiliad improve off dead"), coupled with the organization led some people to retrieve the song was nigh a bad acrid trip.[3] Nevertheless, Holmes said it was a song about a girl.[6]

In Baronial 1967, Holmes opened for the Yardbirds at a Greenwich Hamlet gig in New York.[7] According to Holmes, "That was the infamous moment of my life when 'Dazed and Dislocated' fell into the loving artillery and hands of Jimmy Folio."[eight] He was aware of the vocal appearing on Led Zeppelin'due south eponymous debut album less than 2 years later, but did not have whatever activity at the time. In the early 1980s, he wrote to the group and asked for a co-credit, merely received no respond.[3]

In June 2010, Holmes sued Led Zeppelin guitarist Jimmy Page for copyright infringement, claiming to exist the writer of "Dazed and Confused" In court documents, he cited a 1967 copyright registration for the song, which was renewed in 1995.[7] The case was "dismissed with prejudice"[a] on January 17, 2012, after the parties reached an undisclosed settlement out of court.[nine]

The Yardbirds [edit]

Background [edit]

By late 1966, English stone group the Yardbirds had moved away from recording striking singles towards regular touring. In July 1967, they began their second tour of the United states every bit a quartet, with Jimmy Page as the sole guitarist.[10] The group performed at more countercultural venues, such as the Fillmore Auditorium in San Francisco.[xi] Their sets became more varied with extended medleys[12] and featured guitar instrumentals by Page, such as "White Summertime" and "Glimpses".[thirteen]

On Baronial 25, 1967, the group headlined at the Village Theater in New York City, with opening acts the Youngbloods and Jake Holmes.[xiv] Yardbirds drummer Jim McCarty was the only Yardbird to catch Holmes' performance.[half-dozen] [b] He liked "Dazed and Confused" and bought the anthology the next day, afterwards playing information technology to the remainder of the band. They reworked the song, focusing the arrangements based on the descending bass line. Page added additional guitar riffs in the middle of the song.[xviii] [6]

Composition [edit]

The Yardbirds began to develop a new arrangement for "Dazed and Confused" while notwithstanding on tour in the U.Southward.[19] Holmes' brooding atmosphere and descending bass line were retained, as well as most of the lyrics.[19] Folio doubled the bass line, echoing Holmes' live performances with two acoustic guitarists.[half-dozen] However, propelled by drums and an overdriven Fender Telecaster,[11] the vocal quickly took on a new, distinctly non-folk sound.[fifteen]

Singer Keith Relf initially followed Holmes' verses, but later oft inverse the social club or mixed lines from unlike verses.[xx] Led Zeppelin biographer Mick Wall feels that Relf but "slightly altered" the lyrics,[xviii] while Page biographer Martin Ability credits Relf with "writing new lyrics".[11] Yardbirds chronicler Greg Russo describes that gradually the song "moved from Holmes' original lyrics to an alternating set up of lyrics that combined words from Jake Holmes and Keith Relf."[6]

The Yardbirds' major innovations were the instrumental breaks and an extended instrumental center section.[21] Writer-educator Susan Fast describes the breaks, appearing between the verses and after Page's solo, as "a detail that contributes significantly to the drama of the slice, creating enormous tension at the finish of each verse earlier moving on to the next.[21]

It begins with a bowed electric guitar phrasings by Folio, answered by vocal and harmonica interjections by Relf. Page attributed the thought of using a violin bow on the guitar to a suggestion from violinist David McCallum, Sr., whom he met in his pre-Yardbirds days equally a session musician.[22] The bowed department gives way to Folio's riff-laden guitar solo, propelled by a bass ostinato and fast driving 4/iv-meter.[23] The song returns to the slow tempo 12/8 verse construction before the coda.[24] The Yardbirds' new arrangement, contributed by the four members, soon amounted to a major reworking of Holmes' original piece.[eleven] Bassist Chris Dreja afterward said, "We plant it, bundled it and played it. In a way, it was a great epitaph, because we were feeling very dazed and dislocated about what the hell was going on!"[half dozen]

Performances [edit]

"Dazed and Confused" was a regular part of the Yardbirds' performances during their final tours in 1967 and 1968.[18] [vi] [19] [15] The song debuted during their brusque Us bout in late 1967, which included a date at the Hamlet Theater.[25] When they returned to England, the group performed a nine-minute version in Jan 1968, around the time the full quartet recorded their concluding unmarried, "Call up About It".[26] [c] On March 5–half dozen, the Yardbirds performed "Dazed and Confused" for BBC Radio.[27] In his Led Zeppelin biography When Giants Walked the Earth, Wall notes that the relatively curtailed 5:48 version "sounds almost identical musically to the number Folio would take credit for on the outset Zeppelin anthology".[18] (Led Zeppelin'south studio version lasts 6:28.) Another short (5:46) functioning was filmed by French television on March 9 for Bouton Rouge.[26] AllMusic critic Bruce Eder notes it "comes off much ameliorate than the official [sic] Anderson Theater version from after the aforementioned month."[28]

On March 28, 1968, the Yardbirds returned to New York to begin their final US tour.[29] Before their March 30 concert at the Anderson Theater, representatives from Epic Records, the grouping'due south American label, informed them that it was going to exist recorded for a live album.[30] The grouping felt that it was not sufficiently prepared, just proceeded, with "Dazed and Confused" as their tertiary number.[31] Disappointed with the playbacks, the Yardbirds rejected any idea of releasing the recordings equally a alive album.[30] However, after Page's ascent to fame in Led Zeppelin, Ballsy released the anthology in 1971, with "Mazed and Dislocated" retitled "I'm Confused" (with no composer credit or performance rights arrangement).[32] (Within a week, Page responded with an injunction, which prevented farther sales of the album.[33]) Although the recording and the grouping's performance is a flake rough, in a review Eder singled out the song every bit "something new, a tedious blues as dark, forbidding, and intense every bit anything that the band always cut – it showed where Page, if not his band, was heading."[34] In 2017, Page remixed the Anderson Theater recordings and the vocal (with the correct title) was issued on Yardbirds '68.[35]

Recordings and releases [edit]

The Yardbirds never attempted to record the piece in the studio.[19] However, Page used an abbreviated version of his guitar solo from "Dazed and Confused" for the middle-department guitar solo of "Recall About It".[15]

Several live recordings of "Mazed and Confused" are in release. If the vocal was introduced, it was announced as "Dazed and Confused" – it is unknown why Epic re-titled information technology "I'g Confused".[36]

  • Unknown venue, England (Jan 1968) – Glimpses 1963–1968, released 2011[26]
  • BBC Radio broadcast, England (March v–half-dozen, 1968) – Glimpses 1963–1968, released 2011[27]
  • Bouton Rouge telly broadcast, French republic (March 9, 1968) – Cumular Limit, released 2000[28]
  • Anderson Theatre, New York City (March 30, 1968) – Alive Yardbirds: Featuring Jimmy Page, released 1971,[34] Yardbirds '68 (2017)[35]
  • Shrine Auditorium, Los Angeles (May 31 & June 1, 1968) – Last Rave-Up in 50.A. [37]

Led Zeppelin [edit]

"Dazed and Confused"
Led Zeppelin 1969 EP.png

1969 US radio promotional EP

Vocal by Led Zeppelin
from the anthology Led Zeppelin
Released January 12, 1969 (1969-01-12)
Recorded October 1968
Studio Olympic, London
Genre
  • Difficult stone[38] [39] [twoscore]
  • acid stone[41]
Length vi:27
Label Atlantic
Songwriter(due south) Jimmy Page, inspired past Jake Holmes[d]
Producer(southward) Jimmy Page
Audio sample
  • file
  • help

When the Yardbirds disbanded in 1968, Folio planned to record the song in the studio with the successor grouping he had assembled that summertime.[42] According to Zeppelin bassist John Paul Jones, the showtime time he heard the song was at the ring's first rehearsal session at Gerrard Street in London, in 1968: "Jimmy played us the riffs at the first rehearsal and said, 'This is a number I desire us to do'."[43] The future Led Zeppelin recorded their version in Oct 1968 at Olympic Studios, London, and the song was included on their debut album Led Zeppelin (1969).[44] "Dazed and Confused" was the 2nd song recorded at the Olympic sessions.[45]

The group recorded the song in 2 takes. Folio played a Telecaster and violin bow as he had performed it with the Yardbirds.[46] [e] Singer Robert Plant wrote a new set of bluesier lyrics, according to Folio,[3] though Plant is not credited on the anthology, due to contractual obligations to Chrysalis Records. Plant's song is raw and powerful, delivered with "unrelenting passion."[47] Other than the lyrics and vocal, the song remained very like to that performed by the Yardbirds earlier that year.[1] [48] [49]

Equally of 2002, the 1969 promotional EP using "Infant I'one thousand Gonna Leave You" as the A-side track and "Dazed and Confused" as B-side had been one of top ten Led Zeppelin music collectibles.[50] A collector Rick Barrett, dedicated to his Led Zeppelin memorabilia, sold several copies of the promo EP for United states of america$300–500 each, "depending on the condition of the sleeve and of the record itself," said Barrett.[51]

In June 2010, Holmes filed a lawsuit in United States District Court, alleging copyright infringement and naming Page as a co-accused.[52] The arrange was "dismissed with prejudice" on Jan 17, 2012,[a] after an undisclosed settlement betwixt Page and Holmes was reached out of court in the fall of 2011.[9] Subsequent Led Zeppelin albums, such as Celebration Day (2012) and the remastered and deluxe editions of the group's debut album (2014), expanded the songwriter's credit for "Dazed and Confused" to "By Page – Inspired by Jake Holmes."[46]

Live performances [edit]

"Dazed and Confused" was the most regularly performed song by Led Zeppelin, actualization at over 400 concerts.[45] It was played on every tour up to and including their 1975 shows at Earls Court. It was greatly expanded to include more than improvisation, including brusk portions of other songs, and live performances could be as long every bit 30 minutes. It was after removed from their alive gear up, although Page continued to perform parts of the bowed guitar segment during solo spots on subsequent tours, every bit preludes to "Achilles Concluding Stand" (1977 tour) and "In the Evening" (Knebworth 1979 and Tour Over Europe 1980).[53] Information technology was part of the group's ready at the Ahmet Ertegun Tribute Concert on Dec 10, 2007.[54]

A live version of "Mazed and Dislocated" recorded July 1973 at New York's Madison Square Garden was featured in the 1976 Led Zeppelin concert motion picture The Song Remains the Aforementioned.[55] Other live recordings are constitute on the following official releases:

  • Led Zeppelin BBC Sessions (1997), two versions from 1969 and 1971.[56]
  • Led Zeppelin DVD (2003), three versions filmed, March 17, 1969 (Gladsaxe Teen Gild, Kingdom of denmark), March 25, 1969 (Staines Studio, London), June 19, 1969 (Olympia Theatre, Paris) and January ix, 1970 (Royal Albert Hall, London)[57]
  • How the Westward Was Won (2003), recorded June 25, 1972 (LA Forum)[58]
  • Celebration Day (2012), recorded at the Ahmet Ertegun Tribute.[54]
  • Led Zeppelin (Deluxe Edition) remastered serial (2014), recorded at the Paris Olympia and released as a companion disc to the studio remaster.[59]

Accolades [edit]

Publication State Accolade Year Rank
Rock and Ringlet Hall of Fame United states "The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Coil"[60] 1994 *
Interruption & Play The states "Time Sheathing Inductions – Songs"[61] 1998 *
NME UK "117 Songs to soundtrack your summer"[62] 2003 *
Toby Creswell Australia "1001 Songs: the Keen Songs of All Fourth dimension"[63] 2005 *
Pitchfork Media USA "The 200 Greatest Songs of the 1960s"[64] 2006 eleven
Q Britain "The 20 Greatest Guitar Tracks"[65] 2007 two
Q UK "21 Albums That Changed Music – Key Track"[66] 2007 6

(*) designates unordered lists

See likewise [edit]

  • List of Led Zeppelin songs written or inspired by others

Notes [edit]

Footnotes

  1. ^ a b "Dismissed with prejudice" signifies that the plaintiff/litigant (Holmes in this case) is permanently barred from filing some other case on the same claim.
  2. ^ Several music writers indicate that the Yardbirds heard Holmes perform "Dazed and Confused" at the Cafe au Get Get and/or the Biting Stop in New York'south Greenwich Hamlet, where he was playing around the aforementioned time.[fifteen] [16] [17]
  3. ^ For the A-side, "Goodnight Sweet Josephine", producer Mickie Most replaced Dreja and McCarty with studio musicians Clem Cattini (drums), John Paul Jones (bass) and Nicky Hopkins (piano).
  4. ^ Wording from 2014 reissue; originally credited to Page lone.
  5. ^ Folio only used a bow on a few Led Zeppelin songs, including "How Many More Times", "In the Light", and the intro to "In the Evening".

Citations

  1. ^ a b c d Unterberger, Richie. "The Above Ground Audio of Jake Holmes – Review". AllMusic . Retrieved April 10, 2014.
  2. ^ a b Russo 2016, p. 92.
  3. ^ a b c d "Jake Holmes: Artist Bio". classicmusicvault.com . Retrieved April 23, 2017.
  4. ^ "Chords in the central of Due east minor natural". world wide web.guitar-chords.org.united kingdom of great britain and northern ireland . Retrieved Apr 24, 2017.
  5. ^ "Mazed and Confused". Aaron Krerowicz. February 17, 2018.
  6. ^ a b c d e f k Russo 2016, p. 89.
  7. ^ a b Michaels, Sean (June 30, 2010). "Led Zeppelin sued for alleged plagiarism of Dazed and Dislocated". The Guardian. London.
  8. ^ Russo 2016, pp. 89, 92.
  9. ^ a b Gee, Federal Judge Dolly (January 17, 2012). "Lodge Dismissing Activeness With Prejudice". Justia.com. Archived from the original (PDF) on Feb 1, 2012. Retrieved Apr 16, 2017.
  10. ^ Clayson 2002, pp. 183–187.
  11. ^ a b c d Power 2016, eBook.
  12. ^ Russo 2016, p. 115.
  13. ^ Tolinski 2012, eBook.
  14. ^ Clayson 2002, p. 187.
  15. ^ a b c d Hulett & Prochnicky 2011, p. 33.
  16. ^ Davis 1985, p. 34.
  17. ^ Colby & Fitzpatrick 2002, p. 106.
  18. ^ a b c d Wall 2008, p. 63.
  19. ^ a b c d Shadwick 2005, p. 20.
  20. ^ Clayson 2006, p. 162.
  21. ^ a b Fast 2001, p. 21.
  22. ^ Welch 1998, p. 23.
  23. ^ Fast 2001, pp. 22–23.
  24. ^ Fast 2001, p. 23.
  25. ^ Russo 2016, p. 94.
  26. ^ a b c Russo & Paytress 2011, Disc 4 back cover.
  27. ^ a b Russo & Paytress 2011, Disc 5 back comprehend.
  28. ^ a b Eder, Bruce. The Yardbirds: Cumular Limit – Review at AllMusic. Retrieved April 25, 2017.
  29. ^ Clayson 2002, p. 191.
  30. ^ a b Russo 2016, p. 99.
  31. ^ Russo 2016, pp. 99, 212.
  32. ^ Kaye 1971, Record characterization and back cover.
  33. ^ Russo 2016, pp. 99, 102.
  34. ^ a b Eder, Bruce. Live Yardbirds Featuring Jimmy Folio – Review at AllMusic. Retrieved April 25, 2017.
  35. ^ a b Alexander 2017.
  36. ^ Power 2016, p. 414.
  37. ^ Unterberger, Richie. The Yardbirds: Last Rave-Up in Fifty.A. – Review at AllMusic. Retrieved 2017.
  38. ^ Bashe 1985, p. 18: "Included was 'I'm Confused', which would appear on the first Led Zeppelin album every bit 'Dazed and Confused', a difficult-rock classic."
  39. ^ Case 2009, p. 125.
  40. ^ Unterberger, Richie. "Jake Holmes: 'Dazed and Confused'". AllMusic . Retrieved April 10, 2014.
  41. ^ Case 2011, p. 65: "Acid rock doesn't come any more acidic than this."
  42. ^ "Events | Led Zeppelin – Official Website". world wide web.ledzeppelin.com . Retrieved April 24, 2017.
  43. ^ Mat Snow, "Apocalypse And so", Q magazine, December 1990, p. 77.
  44. ^ Lewis 1990, p. 87.
  45. ^ a b Popoff 2018, p. 23.
  46. ^ a b Pagett, Ray (Jan 12, 2019). "The Story Behind Led Zeppelin'south "Mazed and Confused"". Retrieved July ii, 2020.
  47. ^ Planer, Lindsay. "Led Zeppelin: Dazed and Confused – Song Review". AllMusic . Retrieved April 23, 2017.
  48. ^ Hodgkinson, Volition (2008). Song Human: A Melodic Chance, Or, My Unmarried-Minded Approach to Songwriting. p. 129.
  49. ^ Schinder, Scott (2008). Icons of Rock . Greenwood Publishing Group. p. 385. ISBN9780313338472.
  50. ^ Thompson, Dave (2002). The Music Lover's Guide to Record Collecting. San Francisco: Music Player Group. p. 274. ISBN0-87930-713-seven. LCCN 2002016095.
  51. ^ Barrett, Rick (2008). "Rick Barrett: Reflects on the Commonage Culture of Led Zeppelin Memorabilia". Sonic Boom: The Touch on of Led Zeppelin (Interview). Vol. one: Break and Enter. Interviewed by Frank Reddon. ISBN978-0978444600.
  52. ^ "Led Zeppelin sued past folk singer for alleged plagiarism". New York Post. June 29, 2010. Retrieved January eighteen, 2015.
  53. ^ Lewis 1990, p. 46.
  54. ^ a b Erlewine, Stephen Thomas. Celebration Day – Anthology review at AllMusic. Retrieved 24 October 2019.
  55. ^ Lewis 1990, p. 59.
  56. ^ Erlewine, Stephen Thomas. Led Zeppelin - BBC Sessions at AllMusic. Retrieved 2 July 2020.
  57. ^ Bream 2010, pp. 277–278.
  58. ^ Bream 2010, p. 276.
  59. ^ Erlewine, Stephen Thomas. Led Zeppelin [Palatial Edition] at AllMusic. Retrieved 2 July 2020.
  60. ^ "The Stone and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll (archive.org version)". December 1994. Archived from the original on July 19, 2009. Retrieved January 28, 2014.
  61. ^ "Time Sheathing Inductions: Songs". Pause & Play. July 1998. Archived from the original on May 15, 2011. Retrieved February 10, 2009.
  62. ^ "117 Songs to Soundtrack Your Summertime". NME. May 2003. Retrieved Feb 10, 2009.
  63. ^ Creswell, Toby (2005). "Dazed and Confused". 1001 Songs: the Corking Songs of All Fourth dimension (1st ed.). Prahran: Hardie Grant Books. p. 745. ISBN978-1-74066-458-5.
  64. ^ "The 200 Greatest Songs of the 1960s". Pitchfork. August 2006. Archived from the original on March 17, 2015. Retrieved February 10, 2009.
  65. ^ "The 20 Greatest Guitar Tracks". Q. September 2007. Retrieved March 31, 2017.
  66. ^ "21 Albums That Inverse Music: Central Runway". Q. November 2007. Retrieved Feb 10, 2009.

References

  • Alexander, Phil (2017). Yardbirds '68 (Anthology notes). The Yardbirds. JimmyPage.com. JPRLPCD3.
  • Bashe, Philip (1985). Heavy Metal Thunder: The Music, Its History, Its Heroes. Doubleday. ISBN978-one-61579-045-half dozen.
  • Bream, John (2010). Whole Lotta Led Zeppelin: The Illustrated History of the Heaviest Ring of All Fourth dimension. Voyageur Printing. ISBN978-0-760-33955-8.
  • Case, George (2009). Jimmy Folio: Magus, Musician, Man – An Unauthorized Biography. New York Urban center: Hal Leonard. ISBN978-0-87930-947-iii.
  • Case, George (2011). Led Zeppelin FAQ: All That'southward Left to Know About the Greatest Hard Rock Ring of All Time. Milwaukee, Wisconsin: Backbeat Books. ISBN978-1-61713-025-0.
  • Clayson, Alan (2002). The Yardbirds. San Francisco: Backbeat Books. ISBN0-87930-724-2.
  • Clayson, Alan (2006). Led Zeppelin: The Origin of the Species: How, Why and Where It All Began (1st. ed.). Chrome Dreams. ISBN1-84240-345-1.
  • Colby, Paul; Fitzpatrick, Martin (2002). The Bitter End: Hanging Out at America'south Nightclub. Lanham, Maryland: Rowman & Littlefield. ISBN978-0815412069.
  • Davis, Stephen (1985). Hammer of the Gods (book). New York City: Ballantine Books. ISBN0-345-33516-iii.
  • Fast, Susan (2001). In the Houses of the Holy: Led Zeppelin and the Power of Rock Music. Oxford, England: Oxford Academy Printing. ISBN978-0198033592.
  • Hulett, Ralph; Prochnicky, Jerry (2011). Whole Lotta Led: Our Flight with Led Zeppelin. New York City: Kensington Publishing. ISBN978-0806535555.
  • Kaye, Lenny (1971). Alive Yardbirds: Featuring Jimmy Page (Album notes). The Yardbirds. New York City: Epic Records. OCLC 33891308. E 30615.
  • Lewis, Dave (1990). Led Zeppelin : A Celebration . Omnibus Printing. ISBN978-0-711-92416-one.
  • Lewis, Dave (2004). The Complete Guide to the Music of Led Zeppelin. ISBN0-7119-3528-9.
  • Popoff, Martin (2018). Led Zeppelin: All the Albums, All the Songs, Expanded Edition. Voyageur Press. ISBN978-0-760-36377-5.
  • Ability, Martin (2016). No Quarter: The Three Lives of Jimmy Page. London: Charabanc Printing. ISBN978-1783235360.
  • Russo, Greg (2016) [1998]. Yardbirds: The Ultimate Rave-Upward. Floral Park, New York: Crossfire Publications. ISBN978-0-9791845-7-iv.
  • Russo, Greg; Paytress, Marking (2011). Glimpses 1963–1968 (Boxed set booklet). The Yardbirds. United Kingdom: Like shooting fish in a barrel Activity. OCLC 811355562. EARS 035.
  • Shadwick, Keith (2005). Led Zeppelin: The Story of a Band and Their Music 1968–1980 (1st ed.). San Francisco: Backbeat Books. ISBN0-87930-871-0.
  • Tolinski, Brad (2012). Light and Shade: Conversations with Jimmy Folio. Crown Publishing Group. ISBN978-0-307-98573-half-dozen.
  • Wall, Mick (2008). When Giants Walked the Globe: A Biography of Led Zeppelin. New York City: St. Martin's Griffin. ISBN978-0-312-59039-0.
  • Welch, Chris (1998). Led Zeppelin: Mazed and Dislocated: The Stories Backside Every Song. New York City: Thunder's Oral cavity Press. ISBN1-56025-818-7.

External links [edit]

  • "Dazed and Confused" video at ledzeppelin.com

seymour-symerslostactunce38.blogspot.com

Source: https://en.wikipedia.org/wiki/Dazed_and_Confused_%28song%29

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